Review: Red Skull: Incarnate #2 (Marvel)

Red Skull #2Writer: Greg Pak
Artist: Mirko Colak
Colorist: Matthew Wilson
Letters: Clayton Cowles
Production: Clayton Cowles
Cover Art: David Aja
Editor: Alejandro Arbona, Tom Brevoort
Publisher: Marvel Comics 
Cover Date: October 2011
Cover Price: $2.99

 

As the German economy stabilizes in the mid-1920’s, after the Great War, it’s citizens are trying to get their lives and finances back in order. During this time there are two rival political factions that exist in the country – The Nazi Party and The Red Front. The Red Front are a Communist organization while the Nazis espouse a Nationalist and Fascist ideal; both are at ideological loggerheads and often clash in the streets.

After the events of the previous issue, Johann Schmidt is fending for himself in the streets when he comes across a group of young thugs led by a boy named Bormann who ‘runs’ that particular street. After their confrontation, Johann escapes and encounters a Jewish family. Lying about his past, they take him in as a guest; this impresses Bormann enough to make him a part of his gang.

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Incredible Hulk #1 by Jason Aaron and Marc Silvestri – December 2011

Incredible Hulk #1 2011

Back in May 2011, Marvel announced the end of Greg Pak’s run on Incredible Hulks and the cancellation of the title. Like most Marvel titles lately, all you have to do is wait a few months and they’ll come back as a newly numbered series with a fresh creative team. This time it’s The Incredible Hulk #1 written by Jason Aaron and illustrated by Marc Silvestri due out in December 2011.

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Marvel’s The Avengers Concept Art Poster from SDCC ’11

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This past weekend at the San Diego Comic-Con, Marvel revealed concept art posters for their upcoming Marvel’s The Avengers film. The full concept art image is broken down into 7 small poster images featuring all of the heroes of the film. From left to right: Black Widow, Iron Man, The Hulk, Captain America, Thor, Hawkeye, Nick Fury and S.H.I.E.L.D..

The full “Marvel’s The Avengers” concept art image is by Ryan Meinerding, Charlie Wen and Andy Park.

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Review: Daredevil #1 (Marvel)

Daredevil #1 (2011)Writer: Mark Waid
Penciller: Paolo Rivera, Marcos Martin
Inker: Joe Rivera, Marcos Martin
Colors: Javier Rodriguez, Muntsa Vicente
Letters: Joe Caramagna
Editor: Ellie Pyle, Stephen Wacker
Cover: Paolo Rivera
Publisher: Marvel Comics
Cover Date: September 2011
Cover Price: $3.99

Title:Here Comes… Daredevil” / A Bonus Tale

 

In this latest Daredevil relaunch, Mark Waid and Paolo Rivera take over as the creative team on the title and, right from the start, they’re taking Matt Murdock in a different direction. There’s a distinct change, both in art style and writing, from recent incarnations of Daredevil.

Daredevil #1 "Here Comes... Daredevil"The tone in “Here Comes… Daredevil” has lost the overwhelming gloom that has been, for the most part, prevalent in a lot of Daredevil stories since Frank Miller first threw grit, death, loss, and despair in Matt Murdock’s face. Mark Waid comes in and lightens up the character and gives him actual hope for the future instead of having life firmly planting it’s boot-heel on his head once again.

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Review: Red Skull: Incarnate #1 (Marvel)

Red Skull: Incarnate #1Writer: Greg Pak
Artist: Mirko Colak
Colorist: Matthew Wilson
Letters: Clayton Cowles
Production: Clayton Cowles
Cover: David Aja
Editor: Alejandro Arbona, Tom Brevoort
Publisher: Marvel Comics
Cover Date: September 2011
Cover Price: $2.99

 

Red Skull: Incarnate #1 first grabs you with it’s strikingly terrifying cover, and continues with a raw intensity that pulls no punches.

Saying that David Aja’s cover art is striking is putting it mildly. You can feel the intense hate and evil jumping right out of the Eastern European war propaganda style cover to this book. Although it’s stylistically different from the interior artwork by Mirko Colak, it fits the issue very well.

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The Comics Industry Needs a New Strategy

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Recently I was having a conversation with a friend who had read comics years ago, but hasn’t picked one up in a long time. We had just come from a local comic shop where I picked up a few books I was missing and told me that he was overwhelmed by the amount of titles that were being published and didn’t know what to buy. He likes the X-Men, but there are too many X-Men titles to choose from, and on top of that, he didn’t want to get anything that was in the middle of a storyline. Having to pick up #1-10 of a series that was on issue #11 wasn’t what he wanted either.

This is one of the hurdles that the industry has to overcome. Only through the efforts of publishers, retailers, and fans, can this be accomplished effectively.

One problem with the marketing strategy of the Big Two (Marvel & DC) publishers is their reliance on restarting a series in order to increase sales. Surely it will increase short term sales because people love to get in on a ‘first’ issue of a series, but that ‘first issue,’ more often than not, is just a different storyline that could have been continued in the previous title.

You don’t always have to change the numbering when something drastic happens, just indicate it on the cover and make sure your audience is aware. If this ideology of “Number One’s always sell well” becomes the status quo, why would we ever need a series to go more than 15 issues, or 20, or 25? Do we need 10 different Flash #1’s or 15 different Wolverine #1’s? No. Lately, though, it seems like we’re moving in that direction. Does every change to a new creative team require a restart of a current series? Does a major change to a character need to have the series cancelled and retitled? I hope the answer to those, and similar questions, is no.

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Review: Iron Age #1 (Marvel)

Iron Age #1Writer: Christos N. Cage, Rob Williams
Art: Lee Weeks (p), Tom Palmer (i), Ben Oliver
Colors: Matt Hollingsworth, Veronica Gandini
Letters: Jared K. Fletcher
Cover: Lee Weeks, Dan Brown, Joe Jusko
Editor: Thomas Brennan
Publisher: Marvel Comics
Cover Price: $4.99
Cover Date: August 2011

Story Title: A Little Help From My Friends / Panic On The Streets Of London

 

The Iron Age #1 starts a three issue mini series that has Tony Stark travelling back through time to save the world in the future. He needs to gather pieces of Doctor Doom’s Time Platform in order to return to the future – to save the destruction of the world by the Dark Phoenix.

This double sized issue is broken down into 2 full length stylistically different (both in the narrative and art), yet related stories.

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Review: Wolverine #10 (Marvel)

Wolverine #10 (2011)Writer: Jason Aaron
Pencils: Renato Guedes
Inks: Jose Wilson Magalhaes
Colors: Matthew Wilson
Letterer: Cory Petit
Designer: Jared K. Fletcher
Editor: Jody Leheup, Jeanine Schaefer, Nick Lowe
Cover: Jae Lee, June Chung
Publisher: Marvel Comics
Cover Date: August 2011
Cover Price: $3.99

 

Having fought Mystique in Wolverine #9, Wolverine learns the location of the Red Right Hand’s headquarters and goes after them in ‘Wolverine’s Revenge! Part 1.’ Wolverine arrives at the secret location in Mexico and is greeted by Cannonfoot, and they fight throughout the issue.

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